Friday, June 8, 2018

Eleni by Nicholas Gage

About 20 years ago, I took a Greek class at the local Greek Orthodox church. One of the things I learned in the class is that on Easter Greek people greet one another with the phrase  Χριστὸς ἀνέστη! (Christ is risen!) to which one responds,  Ἀληθῶς ἀνέστη! (He is risen indeed!). Shortly after this, I turned on the television one day and the first thing I saw was a group of Greek villagers leaving the church on Easter and greeting one another in this way, so I sat down and watched the movie, which turned out to be Eleni. I thought it was quite good, although very sad, and so, when I found the book at a book sale, I bought it.

On August 28, 1948 Eleni Gotzoyiannis was executed by Communist guerillas. The official reason for her death sentence was that she had organized the escape from her village of 20 people, including four of her five children. They left because the Communists had instituted a program called pedomasoma in which village children were sent to Communist countries, ostensibly so that they would be kept safe from the violence and starvation caused by the civil war that was raging in Greece at that time. There were underlying reasons, however, and these were to indoctrinate the children with Communist propaganda, and to give the Communists a hold over the parents who would have to obey them in order to keep their children safe. This was at first voluntary, but the Communists underestimated the parents' determination to keep their children with them, and before long the children were taken at gunpoint.

Nikola, the youngest of Eleni's children who was nine when he came to the United States, always had an almost obsessive--well, maybe there was no "almost" about it--desire to find out what really happened to his mother, and who was responsible for her death. He also had a desire for vengeance. Now named Nicholas Gage, he became an investigative reporter, a job which provided him with the tools and means to investigate her story. For many reasons he was not able to fully do this until 1977, almost 30 years after his mother's death. At this point conditions in Greece finally being right for his investigation, he knew he had to move fast because many of the people who witnessed the events of 1948 were already dead, and the rest might die at any time.

Gage investigated every aspect of his mother's life. He writes, "The transcribed interviews [about 400] and the documents I collected--journals, letters, military reports, photographs, battle maps--fill a wall of files in my home." Eventually he was able to put together a narrative which begins with Eleni's marriage and ends with his meeting with the person whom he considers most responsible for his mother's torture and death.


Gage's father, Christos Gotzoyiannis, was a naturalized American citizen, who only visited his home village of Lia for a few prolonged visits during the 10 years of his marriage to Eleni. It was an arranged marriage, as was the custom, and his absence does not seem to have been thought unusual. At this time a bride on her wedding night slept, not with her husband, but with her mother-in-law. This symbolized that she now belonged to her mother-in-law, and often the new wives were treated very badly. Thankfully, Eleni had a very different experience with Christos's mother. They were very close. 

Due to Christos's position in the United States, the Gotzoyiannis were very well-off compared to the rest of the villagers, but even so, few of us would consider ourselves comfortable living the way they did. Eleni lived with her mother-in-law and children in a four room house with no electricity or plumbing. This was the 1940s, but her life was more like that of an American of the 19th century. She had some money from her husband, but she had to raise most of her own food. The above picture of Eleni, her five children, and her sister gives an idea of how difficult their life must been. Olga, the oldest of the children could not have been more than 15 at the time this picture was taken.

Of course the greatest hardship in their lives was the war. They were constantly threatened by the German invasion, and also by the two competing groups of guerillas who were fighting the Germans. After the war, the Communist guerillas, EDAS, took control of Lia and gradually brought about all the violence, fear and suspicion that come with a police state.

Before Eleni was tried and executed with four other citizens of Lia, she, and many others were imprisoned and brutally tortured. The great irony of the story is that this took place in her own home which had been commandeered by the Communist guerillas as their base of operations. She was imprisoned in her own kitchen. She was tortured in her own garden. Witnesses say that her last words before being shot were, "My children!"


This picture shows Eleni's children with their father and uncle on the day they arrived in the United States. Her other daughter was able to escape and join them later.

Obviously, this is a very difficult book to read. One of the saddest aspects of the book is the way that the villagers, who had known each other all their lives, turned on one another. One of the most damaging witnesses against Eleni was a young woman whom she had helped throughout her life.

As I mentioned earlier, Gage was interested in vengeance, and this adds an additional layer of tension to the story. He eventually reached the place where he had to stop. I wonder if in the ensuing 35 years he has been able to find a greater degree of peace. I hope so.

AMDG

Saturday, June 2, 2018

From the Top: Brief Transmissions from Tent Show Radio by Michael Perry

One Sunday on the way home from Mass, we heard an interview with Michael Perry on the radio. It had to have been on Mississippi Public Broadcasting, because we can't get any other station here, and it was about his book, Visiting Tom, so it must have been in 2012 when that book came out. It was a great interview, and so when I got home I ordered one of his books, Population 485. The reason I chose this one was because it was his first, and the cheapest. I've been buying his books ever since. I am a bit embarrassed to say that I have some of them in paperback, electronic version, and audiobook.

I have looked high and low for the interview we heard, and have not been able to find it. I did, however, find this 2004 interview with Howard Berkes on All Things Considered about Population 485. It's about 10 minutes long, and I think that if you listen to it, you won't find that too long, and that you might want to buy the book immediately.

Perry, author, nurse, paramedic, volunteer fireman, and farmer, was born in the small town of New Auburn, WI (hence Population 485). He grew up on a farm with his parents, his two natural brothers, and a large variety of foster brothers and sisters. His mother (and later his brother) was also a paramedic, and many of the foster children had medical problems, some severe. I think his mother must have been a saint because, heaven knows, a farm wife has enough to do without taking on anything extra. His parents belonged to a fundamentalist church that met in homes. Perry has distanced himself from this, but not in the kind of snarky way that many people do.

My favorite book of Perry's is Truck: A Love Story which is the story of how he restored his 1951 L-120 International Harvester truck and courted his wife. If you read the book, you will learn way more than you could imagined there was to learn about International Harvester, and you will not be as bored as you think you will be. Perry is a master of rabbit trails, and he can make almost anything fascinating. You will also laugh a lot.

But that's not what I am supposed to be writing about.

Part of the reason for the long introduction is that I don't think that From the Top:Brief Transmissions from Tent Show Radio is the best introduction to Perry's work. It just happened to be the only book of his on my shelves that I hadn't read. It was actually the first book I read when I started this project, but I forgot to write about it.

Big Top Chautauqua is a music venue near Lake Superior in Wisconsin. A 900-seat blue-and-white striped canvas tent, it sits on top of a hill and has hosted many musicians whom you would recognize: Johnny Cash, Emmylou Harris, the Temptations, the Glenn Miller orchestra?, and some whom you would not. It must have been going on a long time, although I'm not sure how long.

They broadcast the shows and Michael Perry is the host of the show. He introduces the performers, and gives a 10 minute talk in between acts. From the Top is a collection of these talks. Some are funny; some are moving; many are drawn from his books. You can hear old broadcasts here.

I enjoyed the book, but I would recommend you read some of the others first. Some are autobiographical; some are collections of essays; and there is at least one novel and one children's novel. I haven't read the children's novel, but I have read The Jesus Cow, and it is all right-ish, but I wouldn't recommend it.

AMDG

Friday, June 1, 2018

The Shelf June 2018


I'm going to post a picture of the shelf on the first of every month so we can see my progress. This isn't really accurate because some of the books--some of the LARGE books--were never on the shelf.

AMDG

Thursday, May 31, 2018

Classic Catholic Converts by Fr. Charles P. Connor


This one wasn't on the official shelf. It just snuck into the line-up. In the room where I sit when I say my morning prayers there is a nice comfy chair with an overflowing bookcase on the left. Most of these books have something to do with the faith, and I almost always have one that I am reading for about 10 minutes every morning. So, when I finished the last one, I just reached over and pulled out this one.

I didn't have a lot of hope for Classic Catholic Converts because I went through a period when I read probably a hundred conversion stories, and after a while I decided to move on. And besides that, I already know a fair amount about the five on the cover. But, there it was on the shelf, and I had to at least give it a try. I don't know how it got there, really.  It's brand new. It doesn't have any kind of price tag from a store, and I know I didn't order it from Amazon.

The first morning, I read the first chapter about St. Elizabeth Ann Seton. It was pretty much what I expected. The second morning, I read the second chapter about the Oxford Movement, and that was pretty interesting because I don't know a lot about it except for Blessed John Henry Newman. The third morning, there was a chapter on Blessed John Henry Newman, and I read that and went on to the next one about St. Rose Hawthorne, and then I brought it upstairs and just kept reading it.

The thing that I had noticed about this book is that it isn't about the conversion process. Fr. Connor writes a bit about where the person came from, writes a very brief passage about their converting--sometimes a short as, "He converted to Catholicism at the age of  X," and then tells what they did after their conversion. That is what makes this book different. It's not the conversion that is the main point of the stories. It's what they did with it. We barely get a glimpse into the hearts and minds of these people as they are drawn into the Church. The one exception is Malcolm Muggeridge, and the passage about his first intimation that the faith might be true is really lovely.

There are 17 chapters in the book, each about 10 pages long, and a few of the chapters are about more than one person, for example, the chapter about the Oxford Movement. There is also a chapter about the converts of Archbishop Fulton Sheen. Obviously, Fr. Connor doesn't go into any great detail, but it's a good introduction to the men and women he writes about. One section I really like was in the chapter about Dorothy Day where he was telling about Cardinal John O'Connor's involvement in her canonization process.

Unfortunately, like almost every book I have read so far, it has made me want to read about six other books. I would like to read more about Jacques and Raïssa Maritain, and I would like to know something more about Léon Bloy.

It's a good book, but it's not a keeper. I am going to give this book away sometime soon. I you would like it, let me know.

AMDG